For those of you that don’t already know Martin Harley, you have to ask yourselves why the hell you don’t! He is one incredibly gifted guitarist, lap steel player, singer and songwriter that, as far as I can tell, is massively overlooked.
This album is a mixture of blues, country and heavy blues-rock. The blend of styles and sounds (note the stylophone in ‘Outlaw’, and the surf-rock guitar solo in ‘Wrecking Ball’) within this album makes it stand out and be heard – by me at least! The slower ballad type tracks have an air of country grace about them with the lap steel hitting all of those sweet country notes I would hope to expect. The heavier material is simple, effective and mainly groove or riff orientated… and that’s just fine with me. Rock shouldn’t be complicated.
If you want to see the brilliance of Martin’s work just have a listen to ‘Tightrope’ with its lilting bass line accompanied by ukulele-like guitar parts and a beautiful vocal melody, then compare it to ‘Ball & Chain’ with it’s rough and rugged edge, brimming with attitude. His sheer ability to morph his sound from track to track is incredible.
The only negative thing I can say about this album is I think that the production value is a little bit poor in places with the vocals sitting a bit low in the mix for my liking, but overall the album sounds great – lets see if we can get Martin produced by someone like the Black Keys as an interesting experiment….
My 2 highlights on the album
– Being greeted by the title track Mojo Fix every time doesn’t get old
– ‘Tightrope’ and ‘Rum Shack’ work so well together so well back-to-back!
My 2 lowlights on the album
– As mentioned, the production could do with a little polishing in places I think.
– I have to wait until he releases some more material………!!!